Christmas Wreath

This is a variation of a wreath design I did for a friend's wedding. I found the Rhodes hearts and stars so pretty in red, I couldn't resist doing the pattern in Christmas colors. In the picture, you can see I monogrammed my initials in the center of the wreath. I matted the work in red fabric to fit an 8x8 inch frame. It's pretty cute in purple, too.

This is the original wreath I did for my friend's wedding. The colors were purple and black - and the bride's and groom's initials were ABC. I thought it was so cute, so I did this mini-sampler for them. It was matted with purple fabric borders, and framed in a black ornate frame.

She is a very talented musician, so I added little black musical notes throughout - the tips in black seed beads, with white pearl accents:

Here's the Christmas pattern. If you click on the image and print it, it should read pretty well:

©Rainburst Embroidery 2009

 

 

 

Here is the pattern in Purple:

 

©Rainburst Embroidery 2009

 

Leaf Biscornu

This is a variation on blackwork - so many of my patterns are! Traditionally blackwork is composed of graphic patterns done in black floss on a white or neutral counted cloth. I like to use to use the motifs, but embroider them in different colors. Here, silhouettes of leaves are surrounded by bands of green. I  love the color green - it's so soothing. My vision for this was of all different white or cream buttons in the centers of each leaf cluster.



©Rainburst Embroidery 2012

The three shades of green listed are Weeks Dye Works threads, but three shades of a harmonious, graduated, green palette would work.

1193 WDW Guacamole

2201 WDW Moss

1279 WDW Holly

The Vine is backstitched in Holly, the leaf veins in Moss, the leaf outlines in Guacamole.

Note:  I usually stick to DMC floss for my patterns because I want my customers to be able to find them easily - but if you are lucky enough to live near a specialty shop - I recommend trying the beautiful threads they have simply for the joy of it! Gental Art Floss and Weeks Dye Works are beautiful. One thing about many of my patterns - I keep a fairly simple color palette. This makes it easy to experiment with different colors. I like the idea that anyone can take my designs, and do them up in colors that go with their own tastes, home decor, or mood.

Enjoy!

Ellie Sampler 1878

This last month I inherited a precious object - my great-great grandmother's schoolgirl sampler. I still feel so thrilled to have something so wonderful. I have loved embroidery for as long as I can remember, and have long looked forward to the day I could save my pennies, and get my own antique sampler - and now I have one infinitely more valuable, because it it's been passed dawn through my own family.

When I brought it home in February, I heard a bell ringing in my head - I knew I had seen something like it before. So I began researching online. Sure enough, I found images of samplers so similar there had to be a connection. The style of sampler is that of an orphanage in Bristol - a story that is quite well known...that of the Muller Homes, Ashley Down. This orphanage now has a charity based on the beliefs of it's founder - George Muller, a man who believed strongly in the power of prayer. Online, I found a number of samplers done by schoolgirls at this institution - and they had all the same elements, the same alphabets, motifs, even similar layouts...but each one varied in their own way.

I contacted the Charitable foundation, and I also began doing some family history research. I found a little mystery. There was no record of my grandmother at the orphanage. Meanwhile, I found census records before and after the sampler was made - and my great-great grandmother was with her family, even though her father died when she was ten. Also, the family did not live near Bristol at all - but in Scarborough. A funny twist however was that her father was buried in Bristol when he died. Was this the connection I was looking for? Some more reseach and family connections helped me learn that her father was a ship's captain and his home port was Bristol. The family was taken care of financially - her mother had an annuity of some kind, and they were able to stay together. Not only that, but they had servants - so her circumstances certainly would not have led to her being placed in an orphanage. I wondered how could she have done such a similar sampler without haveing been at the school. As it so happens, the Muller Homes frequently sought positions for their graduates in service. Perhaps someone who worked for them had been at the Muller homes?

My next step will be to send the names of the servants listed in the census records to the Muller Foundation, and see if one of them might have been there. I realize the chances would be slim - perhaps Ellie's father brought back something from Bristol - patterns or another sampler for her to learn from. I may not ever find out exactly - but I am so thrilled to have it no matter what. Her work was so fine. I will be sending it in to have it restored soon (it needs a little attention), and then I will have it reframed. The photo above shows it after I gently removed it from the frame in which it hung in my grandmother's house. I can't wait to hang it up in my home after it has been conserved.

Patterns featured in Cross Stitch Gold and Cross-Stich Crazy Magazines

It has been such a thrill to see my patterns show up on the pages of these British Cross Stitch Magazines. Cross Stitch Crazy was first to feature my pattern "Oberon" last fall, and just this month I discovered my "Yellow Butterflies" pattern was featured in the shopping guide of Cross Stitch Gold. Both magazines I highly respect - so I have to say thank you to the editors for selecting them.

There have been a few other milestones lately that have been exciting - I had my first sale to someone from my hometown. That was special, because one always wants to be recognized in the place that is most dear to one's heart. (That's Victoria, B.C.). I have been so excited to have customers from all over the world - Australia, New Zealand, Ireland, Scotland and England, Germany, Latvia, and even Russia! It makes me feel so cosmopolitan. It also makes the world feel that little bit smaller and friendlier.

I am coming up on my 100th order. I have sold more individual patterns than that, of course, but the 100th order will be a good marker. And I have learned so much since I began. I want to thank all of you who have been my customers - I have had such pleasure and joy starting this little etsy business - and connecting with all of you has a been a big part of that. Every time one of my patterns sells, I feel happy and excited. Thank you - it is truly a pleasure to share my passion and creativity with you.

Freebie Pattern - By Small and Simple Things

This pattern was one of my early designs. The quote comes from Ben Jonson...

It is not growing like a tree
In bulk doth make man better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
A lily of a day
Is fairer far in May;
Although it fall and die that night,
It was the plant and flower of light.
In small proportions we just beauties see,
And in short measures life may perfect be.

I loved this poem as material for an embroidery project. Each small stitch is sweet and perfectly ordered. Things aren't always like that, but some moments in life can be exquisite and wonderful. To create and cherish something beautiful, however small, makes life a pleasure.

Freebie Biscornu Pattern - Cherries

This cute summer pattern is a freebie! Use and share it with friends! The pattern is copyright of Rainburst Embroidery -Patterns are for personal use only.

©Rainburst Embroidery.

Have fun with it!

DMC Floss
!	725	Topaz
J	3362	Dark Pine Green
#	3363	Medium Pine Green
&	815	Medium Garnet
%	814	Dark Garnet

How to Make a Biscornu

Here is a basic tutorial for finishing a biscornu. Making these eight-sided little pincushions is easier than it looks. When you are done you will have an exquisite little treasure - a thing of beauty and a joy to hold. The model I have used in these photographs is called 'Stella by Starlight,' and is available in my etsy shop -

www.rainburstembroidery.etsy.com



1. Embroider two squares of equal size with the design of your choice. Then backstitch a square around each - in this example the squares are both 42 stitches by 42 stitches. This will become your whip-stitching edge - so anchor your threads firmly.
2. Cut backing fabric - at least 4 cm or 2 inches larger than the design area.
3. Pin the backing fabric to the embroidery.



4. Sew the backing fabric to your embroidery - place stitches within 1 cm of the whipstitching edge.
5. Trim each side - cut 1 cm outside the whip-stitching edge. Your backing fabric will still be attached.
6. You are now ready to join the two squares. Thread a blunt-ended needle with two strands of floss.



7. Come up at the corner of one square.
8. Pass your needle through the first stitch to the left.
9. Continue to pass your needle through either the first stitch to the left of center, if your sides have an even number of stitches, or the center stitch if your sides have an uneven number of stitches.



10. Bring the two sides together. Fold the excess fabric under and press the two backstitched lines together.
11. Continue to whipstitch to the left, matching one stitch to one stitch.
12. Your whip-stitched edge will start to look like this.



13. When you approach your first corner, prepare to turn.
14. Fold the excess fabric from the new side under.
15. Bring the bottom edge around to meet the new side.



16 and 17. Continue whipstitching.
18. When you come to your second corner, prepare to turn again.



19. Bring the two edges together as before.
20. Continue whip-stitching around the biscornu, turning each corner and matching stitch to stitch until six sides have been formed.
21. When two of the eight sides are left, stop to fill your biscornu.



22. Add batting to the inside of your biscornu.
23. Lavender can be added if desired. (This is my favorite thing to do with biscornu, because they smell wonderful when I pick them up.)
24. Finish with more batting. The biscornu should be firm, but not so tight that you can't create the characteristic dimple when you add your buttons later.



25. Continue whipstitching.
26. Turn your seventh corner, folding the edges into the biscornu.
27. When you come to the last stitch, discreetly knot the threads to finish.



28. Using a sharp needle and strong thread, add buttons or beads to the center of the biscornu. Pull firmly enough to create a dimple where your buttons or beads are placed. Knot it off securely.
29 and 30. You are finished! Isn't your work pretty?